Drawing

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Drawing |  Home
Untitled   |    Ink, pain on paper    |   100"x 36"   |   2013
Untitled   |    Ink, pain on paper    |   28"x 28" inch  |   2013
Untitled   |    Ink, pain on paper    |   25"x 18" inch  |   2013















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Artist Statement (About art)

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About-art  |   Home Curiosity- The Unfamiliar and Unseen Being born in Prayagraj (Allahabad), Uttar Pradesh, within the confines of a middle-class family, my life has been significantly influenced by the realms of psychology and sociology, intertwined with the backdrop of my childhood surroundings. This confluence has intricately shaped my diverse endeavors, fostering an enduring commitment to the pursuit of comprehension and perceptual learning from an early age. Rather than constituting a drawback, this disposition serves as a constructive force that continually guides me towards unexplored avenues. Human nature is inherently filled with curiosity and a fascination for the unseen and concealed aspects of existence. This curiosity naturally propels one to explore, experience, comprehend, and unveil the myriad dimensions of the world. This inherent drive is deeply personal. The quest for curiosity is intimately linked to the emergence of creativity, enriching the ta...
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Bio-data & Contact

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About-me  |   Home ANAND PRAKASH Born: 15 th September, 1981 Professional Art Education: M.F.A. RMT Univ. of Gwalior (2013). B.F.A. University of Allahabad(2006). I.G.D. Government of Maharashtra­ (1995). Education: B.A. University of Allahabad (2001) AWARD: 2018 "Jagdish Swaminathan A word" , M.P. State Roupanker kala Puraskr. bhopal   2010   52nd NEA “NATIONAL ACADEMY AWARD”  by Lalit Kala Akademi (Min. of Culture, Gov. of  India) N. Delhi. 2009 ·     9 th Northern Region Art Exhibition“CAMLIN AWARD”, N. Delhi. ·    23rd All India Art Contest (professional Category)SOUTH CENTRAL ZONE CULTURAL CENTRE, NAGPUR (Min. of Culture, Govt. of India).  2007 79 th All India Fine Arts & Crafts Society (AIFACS...
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Press

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Image
 Press  |   Home THE POWER OF COLOUR      Anand  Prakash’s  explorations are primarily concerned with colour and secondarily with line. He just does not seem to ignore colour, except in one of his acrylics, of six studies with veins of white on deep dark declivities and as are witnessed in mountain gorges. This last mentioned composition is certainly a fetching one evoking subliminal memories of high lands. May be the painter could have included some few more such darker speculations in this showing. At any rate he is apt at atmospheric colours on space so as to sensitize his inner eye to the subtleties of abstract landscape by improving his techniques for rendering colour he is absorbed also in the structures of nature as much as her mood. The colours of nature are her mood. In this way he ekes out clouds of colour, as it were, and in the process to turn out diverse forms.          ...
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